• Images
  • Visual Projects
    • - Uncanny Landscapes
    • - Dead Redwood
    • - Alienation
    • - Bone Moss
    • - Atmospheric Etchings
    • - Satellite Images
    • - The Beauty of the Mire
    • - Orbital Fire
    • - LiminAI Earth
    • - Hashima Island
  • Science Writing
    • - The Sound & The Fury: Climate Semiotics
    • - The Limits of Modeling
    • - Biosphere 2
    • - Liminal Las Vegas
    • - Lithium Sea
    • - Limits of Modeling
    • - Living with Wildfire
    • - Transient Landscapes
    • - Coevolution
  • Remote Sensing
    • - Space Analogs
    • - Laser Archaeology
    • - Algal Blooms
    • - Sand
    • - Climate Migrations
    • - Adaptation
    • - Vertical Camouflage
    • - Using NDVI to Measure Drought
    • - Mapping Inequality from Space
  • Energy Scars
  • About
  • Features
  • Socials
    • Instagram
    • Twitter
    • Uncharted
  • Menu

Ryder Kimball

  • Images
  • Visual Projects
    • - Uncanny Landscapes
    • - Dead Redwood
    • - Alienation
    • - Bone Moss
    • - Atmospheric Etchings
    • - Satellite Images
    • - The Beauty of the Mire
    • - Orbital Fire
    • - LiminAI Earth
    • - Hashima Island
  • Science Writing
    • - The Sound & The Fury: Climate Semiotics
    • - The Limits of Modeling
    • - Biosphere 2
    • - Liminal Las Vegas
    • - Lithium Sea
    • - Limits of Modeling
    • - Living with Wildfire
    • - Transient Landscapes
    • - Coevolution
  • Remote Sensing
    • - Space Analogs
    • - Laser Archaeology
    • - Algal Blooms
    • - Sand
    • - Climate Migrations
    • - Adaptation
    • - Vertical Camouflage
    • - Using NDVI to Measure Drought
    • - Mapping Inequality from Space
  • Energy Scars
  • About
  • Features
  • Socials
    • Instagram
    • Twitter
    • Uncharted